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House Beautiful’s report on the 2026 Brooklyn Heights Designer Showhouse spotlights 11 interior details, including a preserved-moss bedroom ceiling, a tent-inspired guest room and a custom ceramic backsplash. The designers drew on local history, craft and theatrical materials, though the report does not provide the showhouse’s address, dates or visitor information.
House Beautiful’s 2026 report on the Brooklyn Heights Designer Showhouse highlights 11 interior details by participating designers, ranging from a preserved-moss ceiling and a tent-like guest bedroom to a handmade ceramic kitchen backsplash. The examples show how the designers used material, pattern and neighborhood history to give individual rooms distinct identities.
Among the reported features is a guest bedroom redesigned as a wellness space by ADROIT Architecture & Interior Design. Its ceiling is covered with a sculpted canopy of preserved moss, made with horticulturalist Kelly Costello of Mosswoman. The room also includes a collage by artist Rick Midler on sliding doors concealing a television.
Other rooms draw on different references. Brian Cash looked to the history of the nearby Hotel St. George for a guest bedroom that connects hospitality and domestic design through Americana patchwork. Emily Eng wrapped a guest room in Schumacher’s Ecru union cloth to create the appearance of a tented ceiling, with an antique bronze pendant sourced from a Boston townhouse. Hannah Hemmerly used a soft blue palette and a skirted sink in a drawing room, while Isy Runsewe layered vintage and antique furnishings with patterned wallpaper in a child’s bedroom.
The report also describes Max Aboody’s walnut-paneled listening room, Rachael Rosenblum’s elevator area featuring an appliquéd evil eye, and Sarah Fleischer’s small office, called “The Snug,” where drapery hides a windowless closet converted into a banquette. The final two details include a sculptural chandelier and a kitchen backsplash of 36 custom ceramic tiles by Riwal Manufaktura. Designers Jess and Jonathan Nahon of Sugarhouse Design & Architecture adapted the dining room’s floral wallpaper motif for the tiles.
Local History Shapes Interior Choices
The rooms offer a snapshot of how designers can use an existing home’s spaces and a neighborhood’s past as starting points for contemporary interiors. Cash’s Hotel St. George reference and Hemmerly’s account of blue Victorian Brooklyn drawing rooms connect decorative choices to local history, while the bespoke backsplash translates a motif from one room into another through craft.
For readers interested in residential design, the report provides concrete examples rather than a single style prescription: preserved natural material, vintage furniture, theatrical fabric and custom tile all appear in the same showhouse. It also illustrates how functional features—such as a closet, elevator or sink—can become part of a room’s visual concept.
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Eleven Rooms, Different References
The source is a House Beautiful design report, not an announcement by the organizers about the showhouse schedule or operating details. It presents 11 selected features and attributes designs to named firms and designers, including ADROIT Architecture & Interior Design, HH Studio, Isy’s Interiors, SRF Interiors and Sugarhouse Design & Architecture.
The descriptions connect some rooms to specific references: the Hotel St. George’s history, Brooklyn’s Victorian-era drawing rooms, 1970s interiors and a floral dining-room wallpaper motif. The source does not provide a complete roster of designers, a floor plan or a broader account of the project’s organizing theme.
Showhouse Access Details Are Missing
The source does not state the showhouse’s address, opening and closing dates, ticketing arrangements or whether the rooms are open to the public. It also does not identify the designer or maker of the sculptural chandelier, or provide full descriptions for every item in the list, including the continuous wall design.
The article presents design descriptions and historical references, but offers no independent documentation of the Hotel St. George’s history or the claimed Victorian-era use of blue drawing rooms. Those points are attributed to the designers or the report and should not be treated as separately verified findings on the basis of this source alone.
Check for Organizer Updates
Readers seeking to visit or learn more about the project will need information from the showhouse organizers, which is not included in the report. Further organizer announcements could clarify public access, dates, ticketing and the participating designers. Until then, House Beautiful’s article serves as a visual account of selected rooms and details rather than a practical visitor guide.
Key Questions
What is the 2026 Brooklyn Heights Designer Showhouse report about?
It is a House Beautiful report highlighting 11 interior-design details, including bedroom, drawing room, listening room, office and kitchen features.
Which design details are featured?
The report includes a preserved-moss ceiling, quilted bedroom details, a tent-like ceiling, a skirted sink, wood paneling, an evil-eye appliqué, a hidden banquette and a handmade ceramic backsplash, among other features.
How does the showhouse reference Brooklyn history?
Designer Brian Cash drew on the nearby Hotel St. George for a guest-room concept. Hannah Hemmerly’s drawing room also references the report’s description of blue-painted Victorian Brooklyn drawing rooms.
Can visitors attend the showhouse?
The source material does not give dates, an address or ticket information, so public access cannot be confirmed from the report.
Who made the custom kitchen backsplash?
Riwal Manufaktura designed and crafted 36 custom ceramic tiles based on the floral wallpaper motif in the adjoining dining room, according to House Beautiful.
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